Tag Archives: deaf

Interview with deaf actor, playwright and stand-up comedian Sophie Woolley

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Sophie Woolley is an actor, playwright, and a stand-up comic. She starred in Channel 4′s drama series Cast Offs, has written numerous plays for theatre and Radio 4, and recently performed in her own online series, Deaf Faker. She has also just written a short story called I Am the Walrus in a new anthology called One for the Trouble. Later this month she’s performing as one of the characters in the story as part of Abnormally Funny People’s comedy gig at Soho Theatre, all of which makes it seem the perfect time to find out more about her work. Or at least, a small part of it.

You’ve got a play in production, have just starred in the Deaf Faker online series, have written a story  in a new book, and now you’re doing stand-up too. How do you fit it all in?

I’m developing another couple of plays as well! I’m also trying to finish reading a time management book called Getting Things Done, which is like an erotic self help book for busy people or something. I don’t really understand a lot of it, and there is some hard core filing advice  - but the author says some interesting things about ‘open loops’.Basically you have to make a system for yourself so you aren’t thinking about the other task you should be doing when you are supposed to focus on the other task.

But I’m answering your question far too literally. The way I fit in this stand up thing was by writing the new material for this month’s gig after thinking of something funny in the half sleep just after I went to bed. I had to get up and write it down. Hopefully it won’t show that I wrote it whilst asleep.

What do you like writing best – fiction, drama or comedy?

I usually like whatever I’m doing the best while I am doing it – on a good day! I started writing plays and short stories when I was 7 or 8. I’d read them in school assembly (people would always die in the end as I was crap at thinking of twists in the tale) and cast friends in my plays and revues. I made magazines as well at primary school. Then I took a break from fiction, drama and journalist writing during secondary school to devote more time to fancying pop and film stars on TV.

What was your first stand-up gig like?

People laughed – it was a big relief. I thought ‘this is easier than I expected’.   I didn’t really do a proper joke joke joke set. It was a character monologue, although I situated the piece in the venue I’m in at the time. I was glad no one heckled – because I might not be able to lipread them or hear them. The gig this month is the first subtitled stand up gig I’ve done, so maybe I’ll find out actually people do heckle me and I just didn’t realise.

Tell us about the act you’ll be performing at Soho…

My act is a quick masterclass in acting. I’ve done a small amount of acting and now feel fully qualified to lecture everyone on a few secret tricks of the trade. The comedy night itself is called Abnormally Funny People which is a regular comedy night featuring disabled stand ups and a  token non disabled stand up. It’s in the swish new comedy room downstairs.

How does the act relate to the story in the book?

The stand up character is kind of based on the one in the book – but the tone is very different. It’s a deaf actress character – inspired mainly by myself. Which sounds very conceited, but come and see it – and read the story in the book and you will see that it is quite the opposite.

Sophie will be performing live at a palantyped (with live subtitles) comedy gig downstairs at Soho Theatre on Monday 20 February at 7.45pm. Tickets are £10. Booking info: http://sohotheatre.com/whats-on/afp/

Book Slam annual Vol One: One for the Trouble is available as a limited edition signed hardback (£30) or as a cheaper eBook (£2).from http://bookslam.com/annual/ Amazon kindle: http://tinyurl.com/88v6kp2

For more information about Sophie’s work, visit her website: http://www.sophiewoolley.com/

The notetaker’s limping chicken from ‘Deaf Teens: Hearing World’ goes viral

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Wow, what’s happened to the online deaf world in the last 24 hours? There’s only one word on everyone’s lips and hands: ‘chicken.’ Actually there’s two: ‘ill chicken.’

Who knew that one excuse from a notetaker in BBC3′s ‘Deaf Teens: Hearing World’ would spawn quite so many retweets, status updates, and ultimately a Facebook group called My chicken is ill with over 600 members (and counting)?

For anyone who missed it, the film followed five teenagers with different levels of hearing and methods of communication on their journeys to adulthood and the hearing world.

When Sara, a teenager from Nottingham who is profoundly deaf (and needs the support of an interpreter and a notetaker at university) arrived for her first lecture, she was told by her notetaker (who had only been booked for one hour) that she couldn’t stay for the whole duration. The reason? “I have a problem,” the notetaker told her. “My chicken is ill.”

If the look of disbelief on Sara’s face that a limping chicken’s visit to the vet came above her education was telling, that was nothing compared to the online reaction from the deaf community.

A screengrab of the moment was spread by all and sundry on Twitter. On Facebook, people jovially speculated that the ill chicken had contributed to Sara’s later decision to quit university, and that the reason Sara and her boyfriend Asher were later seen eating at Nandos was some kind of revenge mission against chickens. Meanwhile Adam Bassett, a deaf actor, wondered whether the “the ill chicken, notetaker and Sara [will] appear on the Jeremy Kyle show this week?”

On Twitter, deaf people have been sharing gags (and other comments on the programme) using the #deafteens hashtag. They range from ‘Some people have clearly never known the love of a good chicken’ to people arguing ‘that the #deafteens chicken wasn’t even ill. It was limping, thus was *injured*.’

There are few moments that unite the deaf world, but it seems like everyone was watching BBC3 last night and this is one of those moments that struck a chord. Will we ever get over ‘chickengate’? Do we want to? And is it possible to think of any more original jokes about chickens?!

I’m off for a KFC Family Feast to ponder some of those questions.

Update: amazingly, two deaf chaps have recreated the ‘ill chicken’ scene… this is madness.

Interview with Claire Braden, director of BBC3’s Deaf Teens: Hearing World

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First published in the February 2012 edition of the Hearing Times.

Claire (pictured right, with Meghan after her cochlear implant operation) has worked in TV for eight years, starting off in wildlife documentaries before moving into filming people instead. After working on programmes about children in care, she worked on medical series like 24 hours in A&E and went on to film in Africa. Deaf Teens: Hearing World is the first one hour programme she has directed.

Where did the idea for Deaf Teens: Hearing World come from?


My Dad is becoming deaf and he said that it makes people instantly assume you are a bit daft, so I wondered if this was even worse for young deaf people. Once I had spent the day at a deaf school, I decided that they had plenty to say and there was so much to learn about their experiences of being deaf and the deaf community. I wanted to know what it was like to be a deaf teenager – were the rules of engagement different – do deaf people only date other deaf people? What’s it like to go to uni when you can’t hear any potential friends? How is it going from a fully deaf school in to the hearing world?

How did you get the film commissioned?
This film is part of the Fresh strand on BBC3, which is an opportunity for relatively new directors to make their first one hour programme. It is a great opportunity to work on a programme that you have come up with – I pitched the idea to the BBC executives, then literally worked on it from start to finish.

Your film features various ‘types’ of deaf people – signers, cochlear implant users and so on. Were you surprised that such variety exists within the deaf world?
I was amazed that within one community there could be such a variety of people, so many different viewpoints and yet such a close-knit group of people. Two deaf people might have very different viewpoints on, for example, cochlear implants – one might have a cochlear implant and the other might be staunchly against cochlear implants believing them to weaken the strength of the deaf community – but it won’t stop them being friends.

How did you deal with communication during filming? 

In a variety of ways. Christianah and Meghan used speech so I just conversed with them directly. They are masters of lip-reading and as long as I remembered to take the camera away from my face before I spoke, faced them and didn’t mumble we got along fine! Jake and I could converse to a certain extent with the help of his family and on one occasion we used an interpreter. With Sara and Asher, who are BSL users, I had an interpreter for just about all the filming with them.

Were your perceptions of deaf people changed by making the film?
I was amazed at how important deaf identity is – most of the young people seem to find such solace in being with other deaf people and it seems like an amazing ‘club’ to be involved in. Their culture is very attractive, it is a friendly, warm, tactile culture with a beautiful language at the heart of it and many brilliant people who just see the world in a very slightly different way from me. I am fairly sure it is this ‘club’ or culture which makes most of the deaf people I spoke to say that they wouldn’t become hearing, even given the choice.

What did you learn about their families?
I think there is a huge difference between being born to deaf parents or hearing parents. I was surprised to find out that 90% of deaf children are born to hearing parents. I was really impressed by how the parents of one of the boys in the film, Jake, who are hearing, had managed to learn sign language and had made such a tremendous effort to connect Jake with so many other deaf young people. It must be a minefield for hearing parents initially in how to communicate with your child but not deny them their deaf identity.

You caught these young people at a certain stage in their lives – just as they’re going through big changes, moving away from home, becoming an adult and so on – how do you feel being deaf changed their experience?
All the contributors had a different experience of moving into the big wide world. I think moving from a deaf school or a place where you have lots of deaf support in to a mainstream university is incredibly hard. How do you make friends when you have an interpreter and a notetaker in tow? It is incredibly hard, as Sara found out when she set off for uni. I think all my contributors in the film had real balls and were utterly inspiring, I think they will all ultimately make real successes of themselves even if it doesn’t happen straight away for all of them.

How do you feel about the final film and would you like to revisit the contributors a few years down the line?
I am pleased with the final film, I am very happy that the contributors and the National Deaf Children’s Society like the film and feel it represents young deaf people fairly. I felt a big responsibility in making a film about such a strong-minded culture especially as I wasn’t part of it. The five young people in the film are so engaging and I think they offer a real insight in to the experience of being deaf. If the BBC is interested in a follow-up I will be there!

Deaf Teen: Hearing World will be broadcast on BBC3 at 9pm on Monday 6th February, – click here to watch the sign interpreted version of the programme on iPlayer.

Interview with ‘That Deaf Guy’ cartoonist Matt Daigle

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First published in the January 2012 edition of The Hearing Times.

Matt Daigle is a deaf cartoonist, designer and illustrator who lives in California. He and his wife produce a hilarious comic strip called That Deaf Guy, about a deaf man who, like Matt, has a hearing wife and son. The strip is laugh-out-loud funny, original, and true to deaf life. They recently picked up thousands of fans after becoming a hit on Facebook, so I thought it’d be a good time to interview the man himself and find out more about his life, family and work.

What inspired you to become a cartoonist?
I started drawing cartoons as a kid. Being born deaf, cartoons communicated to me at a time when television and other media were not accessible. Then when I was 12, my mom took me to an exhibition by Gary Larson (creator of cartoon strip The Far Side) at the Smithsonian Museum and I was hooked for life!

Where did the idea for That Deaf Guy come from?
The idea came from my wife! She is hearing and has always been a big fan of my cartooning. We were on the way to a cartoon festival in Missouri when the idea came to her. I am the artist but my wife is the writer. We knew that in order to go more mainstream, we needed to incorporate humor and language that crossed two cultures, so it is a hearing/deaf collaboration. We both come up with ideas and aim to find a happy medium. If the humor is too deaf, hearing people will not understand it and vice versa!

What’s the response to That Deaf Guy been like?
The response has been surprising and inspiring. It was online for a year and literally no one knew about us. Then we hired a marketing person who has deaf parents. He told us we had to get on Facebook and within a week we had over 1,000 fans. We were jumping up and down when we had 200!! Now a month later we have nearly 3000 fans. We love the idea of our comic strip creating a forum for people to talk about their experiences and laugh a little.

Do you have a favourite That Deaf Guy story – and if so, why?
It’s really hard to say which one is my favorite. Many of them are based on our lives with our son and on my own deaf experiences, so each one is special or funny to me in different ways. I do get a kick out of the ‘Be Deaf-Wise’ strips because I think they educate in a funny way.

Is That Deaf Guy published anywhere, or just online?
That Deaf Guy is published in SIGNews – a newspaper in America for the signing community. It has also been published in several books that relate to deaf culture and of course, we have our webcomic. I really want the strip to go more mainstream. I think that there is so much more we can feature. Deaf stories aren’t always about oppression and lack of access. Many of us live successful lives and I would like to show that version by becoming nationally syndicated, publish books, and even take the concept to prime time television.

Tell us about your home life. You have a son – how do you combine your career and being a Dad?
I work with my wife on That Deaf Guy so I love having time with her to be creative but when it comes to my son I really have to balance my life so that I don’t one day turn around and he is grown up and I missed everything! My wife is a VRS interpreter and works late at night. I work from home, so we are both here during the day. We make it our motto to create everyday. Our creations can be hours of writing or drawing That Deaf Guy or it can be an hour of constructing something out of Play Doh!

To see more That Deaf Guy comic strips, go to http://www.thatdeafguy.com/
You can check out Matt’s website by going to http://www.mattdaigle.com/
Follow Matt on Twitter: http://twitter.com/deafcartoonist